Divas, Ingénues & Vixens Podcast

What Remains: Sarah Tannehill Anderson

In this deeply personal episode, Amity Bryson sits down with soprano Sarah Tannehill Anderson to reflect on a career shaped not only by extraordinary singing, but by intention, collaboration, and quiet artistic force.
Through the archetypes of the Ingénue, the Vixen, and the Diva, Sarah revisits the moments that defined her journey—from early discovery to artistic risk to the spaces where everything aligned. The result is a conversation rich with memory, insight, and unmistakable joy.
As Sarah prepares for her final professional performance, we celebrate not an ending, but a voice that continues to evolve and echo.
Join her in the World Premiere of My Favorite Things, a joint production by Bach Aria Soloists and Kansas City Actors Theatre, on April 11 at 7:30 pm at Village Presbyterian Church in Prairie Village, KS.
Tickets are available at BachAriaSoloists.com or KCActors.org.

Join me for A Lyrical Life

What happens when Langston Hughes’ poetry moves from the page into the singing voice?
In this episode, soprano and director Alyson Cambridge shares the creative process behind Langston Hughes: A Lyrical Life, a new production with the Lyric Opera of Kansas City that weaves poetry, music, and storytelling into a 45-minute theatrical experience.
Amity is also joined by poet and professor Stanley Banks, who places Hughes within a larger cultural and historical context—revealing the rhythms, voices, and lived experiences that shaped his work.
From the Harlem Renaissance to Kansas City’s own musical and storytelling traditions, this episode explores Hughes as both a literary icon and a living influence.
Because when poetry is heard—really heard—it becomes something we carry forward.

Before there is MUSIC, there is LISTENING

Listening is more than hearing—it’s awareness, attention, and connection.
In this immersive episode of Divas, Ingénues & Vixens, Amity Bryson explores the radical philosophy of composer Pauline Oliveros through her book Quantum Listening.
Through guided listening exercises, sonic reflection, and a reimagining of the Diva, the Ingénue, and the Vixen, this episode invites you into a deeper awareness of sound—both around you and within you.
What do you hear when you listen to silence?What sounds live in your memory?And what might change if listening itself became a creative act?
This is not just an episode about music.
It’s an invitation to experience the world differently.

Three songwriters walk into a room . . .

Three singer-songwriters. Three unique voices.
Amity Bryson welcomes Danielle Ate the Sandwich, Tracey Myers, and Maddie Lai to the podcast for a conversation about songwriting, storytelling, and the joy of sharing music with a live audience.
Catch them live March 19 in the Gospel Lounge at Knuckleheads Saloon as part of the Lyrical Belles series.

Celebrating International Women's Day with the Boulanger Initiative

International Women’s Day is more than a celebration — it’s a call to build the systems that make women composers visible year-round.
Amity Bryson speaks with Angel Azzurra of the Boulanger Initiative about the organization’s work expanding access to repertoire through the Boulanger Initiative Database (20,000 works and counting), educational programs, Wikipedia edit-a-thons, and partnerships with orchestras.
Together they explore how programming, research, and advocacy can reshape the classical canon — one score, one stage, and one community at a time.
From the rehearsal room to the concert hall, this conversation asks a simple but powerful question:
What does it take not just to celebrate women composers… but to integrate them into the living fabric of music history?

ENCORE!!! Gershwin's Porgy & Bess

Opening night of Porgy and Bess at the Lyric Opera of Kansas City did not disappoint. In this special ENCORE episode, I reflect on Michelle Bradley’s Bess debut, the remarkable sense of community onstage, and the devastating beauty of Gershwin’s American masterpiece. From the power of “Summertime” to the storm that changes everything, this production reminds us why opera endures: that heartbreak is part of the beauty.

Porgy and BESS: finding strength and HOPE

What does it mean to witness a woman trying to survive?
In this episode, Amity turns her lens toward one of the most complex female roles in the American repertoire: Bess in Porgy and Bess. In conversation with acclaimed soprano Michelle Bradley, who brings Bess to life with the Lyric Opera of Kansas City, this episode explores autonomy, embodiment, vulnerability, and presence under pressure.
Together, they unpack the musical and dramatic architecture of Gershwin’s score, from the fragile hope of “Bess, You Is My Woman Now” to the quiet devastation of the final act. Through a contemporary lens — touching on community care, harm reduction, and moral agency — this conversation asks not whether Bess is redeemable, but what she asks of us as witnesses.
Amity also guides listeners through key scenes that illuminate Bess’s development, offering context for opera newcomers and seasoned music lovers alike. Whether you love opera, musical theatre, or jazz, this episode reveals how Porgy and Bess continues to shape American sound — and why it resonates deeply in Kansas City in 2026.
This is not an episode about resolving Bess.
It’s about staying with her.

Still Here - So the Stories Can Be Told

Special Edition: Preserving Women’s Legacy
In this special, follow up episode the focus shifts to the Women Religious Archives Collaborative and the vital work of preserving the stories of Catholic sisters in the United States.
Joined by Sr. Sue Durkin and historian Dr. Carol Coburn, we explore how women religious built the institutions that shaped American education, healthcare, and social justice — and why protecting their legacy matters now.
Because history survives when someone chooses to remember.

SUFFS: So the Stories can be Told

The Broadway musical SUFFS by Shaina Taub* tells the story of suffragettes fighting to be heard. But what about the women who built the institutions that made change possible?*
In this episode, I speak with performer Marya Grandy [Carrie Chapman Catt] and Sr. Sue Durkin of the Women Religious Archives Collaborative about voice, leadership, archives, and the quiet endurance of Catholic sisters whose impact shaped American life.
Some women marched.Some women built.All of them matter.
Because preserving women’s history isn’t nostalgia — it’s responsibility.
{Stay tuned for a special edition follow up episode or check out additional materials at www.AmityHBryson.com}

What does Music Smell Like IV

In this fourth installment of What Does Music Smell Like?, I am joined once again by Lauren and Taylor of Apothogothic to unveil LILITH—a scent shaped by desire, boundaries, and sovereignty. Together, they reflect on the arc of year one—MIRAGE, WILDE, EMBER, and now LILITH—and the way seasons, playlists, and lived experience inform the creative process.
From Sophie B. Hawkins to Joni Mitchell, Jill Scott to TRIBE (and more!) the LILITH playlist traces a musical journey of I want. I protect. I stand.
The episode’s finale is a slow, intentional unboxing, inviting listeners to co-create the experience as scent, sound, and story merge. Through the archetypes:
The Diva claims aesthetic sovereignty—luxury, worth, and presence.
The Ingénue discovers intimacy and first-time wonder.
The Vixen recognizes this is not self-care, but self-definition.
This episode is a celebration of women-led artistry, creative ritual, and the joy of building something with intention. LILITH marks both a culmination—and a bold invitation into what comes next.
Find the full video of the unboxing on INSTAGRAM @AmityBryson